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"Sanson Ki Mala Pe" (Hindi: साँसों की माला पे; "on the rosary of breaths") is a qawwali song composed by the legendary Pakistani singer-songwriter Nusrat Fateh Ali Khan. It was first played by Khan during his first visit to India in 1979, when Indian actor and filmmaker Raj Kapoor invited him at the wedding of his ...
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
The dominant seventh (V7) chord G7=(G,B,D,F) increases the tension with the tonic (I) chord C. Adding a minor seventh to a major triad creates a dominant seventh (denoted V7). In music theory, the "dominant seventh" described here is called a major-minor seventh, emphasizing the chord's construction rather than its usual function. [27]
C 11 without 3rd = C–(E)–G–B ♭ –D–F C–F–G–B ♭ –D = C 9sus4 C 11 without 3rd and 5th = C–(E)–(G)–B ♭ –D–F C–F–B ♭ –D = B ♭ /C. If the ninth is omitted, the chord is no longer an extended chord but an added tone chord. Without the third, this added tone chord becomes a 7sus4 (suspended 7th chord). For ...
Slack-key guitar (from Hawaiian kī hōʻalu, which means "loosen the [tuning] key") is a fingerstyle genre of guitar music that originated in Hawaii. This style of guitar playing, which has been used for centuries, involves altering the standard tuning on a guitar from E-A-D-G-B-E, so that strumming across the open strings will then sound a ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...
David Grisman – mandolins; Tony Rice – guitars; Some of the songs were performed on instruments made when the songs were written to allow the listener to experience the tonal properties of the original performances.