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The Zwirner Gallery opened in 1993 on the ground floor of 43 Greene Street in SoHo in New York City [2] with a one-man show of the Austrian sculptor Franz West. [3] [4]In 2002 it moved to 525 West 19th Street in the Chelsea neighborhood of New York. [5]
David Zwirner (born October 23, 1964) is a German art dealer and owner of the David Zwirner Gallery in New York City, Los Angeles, London, Hong Kong, and Paris.
In 2023, David Zwirner Gallery in New York staged its second posthumous solo exhibition of work by González-Torres, including two works that had never been executed as the artist envisioned. [119] The first, "Untitled" (Sagitario) (1994-1995), is a variant of the double pools of water the artist had sketched before his death: two large pools ...
Wolfson's Colored Sculpture (2016) was first shown at David Zwirner gallery in New York City and later exhibited at the Tate Modern in London, LUMA Foundation in Arles, and at the Stedelijk Museum, Amsterdam. The work consists of an animatronic sculptural figure of a boy attached to the ceiling with long chains connected to his head, arm, and leg.
In the fall 2013, David Zwirner Gallery held a major exhibition of Reinhardt's black paintings, cartoons, and photographic slides, curated by Robert Storr. It was the first exhibition since Reinhardt's 1991 retrospective at MoMA to feature an entire room of black paintings (13 in all).
Los Diez was the subject of the exhibition Concrete Cuba at the David Zwirner Gallery displayed at the gallery's London location in 2015 and their New York City venue in 2016. [5] [6] [7] An elaborate accompanying catalogue was produced and features an interview with Pedro De Oraá, then last surviving member of the group, by Lucas Zwirner. [8]
According to the New York Times, here's exactly how to play Strands: Find theme words to fill the board. Theme words stay highlighted in blue when found. Drag or tap letters to create words. If ...
In the first of four shows at David Zwirner, Icarus and the World Trade Center (1998), Schimert turned from the cooler, ethereal environs of the sea and Moon to the explosive, searing heat from the Sun, treated as a metaphor for the New York-defined arena of ambition, success and wealth.