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This page was last edited on 20 November 2024, at 09:25 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Dimitri Zinovievich Tiomkin [a] (May 10, 1894 – November 11, 1979) [1] was a Russian [2] [3] [4] and American film composer and conductor. Classically trained in Saint Petersburg before the Bolshevik Revolution , he moved to Berlin and then New York City after the Russian Revolution.
Dimitri Tiomkin, Alan Menken and Howard Shore are the only composers to win two consecutive awards. Additionally, Dimitri Tiomkin received Special Achievement Awards for his services to film music in 1955 and 1957, as did Hugo Friedhofer in 1958. The most recent recipient of this award was Ludwig Göransson for the film Oppenheimer.
Columbia Studio Music Department, Morris Stoloff, head of department (Score by Dimitri Tiomkin) Make a Wish: Principal Productions, Hugo Riesenfeld, head of department (Score by Riesenfeld) Maytime: Metro-Goldwyn-Mayer Studio Music Department, Nat W. Finston, head of department (Score by Herbert Stothart) Portia on Trial
Composer Dimitri Tiomkin scored the film and composed the theme song "The High and the Mighty"; the song was also called "The Whistling Song" because John Wayne whistled the tune during production. [34] Tiomkin's music topped hit parade charts and remained there for weeks, increasing the film's profile. [35]
This page was last edited on 27 November 2017, at 08:03 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The award-winning score was written by Ukraine-born composer Dimitri Tiomkin. High Noon was selected by the Library of Congress as one of the first 25 films for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant" in 1989.
At the start of the film's production late in 1953, veteran film composer and musician Dimitri Tiomkin was commissioned to write the film's score. The studio also urged Tiomkin to come up with a theme song for the film, to be released to radio and as a vinyl record. Tiomkin formed the basic melody to the song and enlisted songwriter Ned ...