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Reog or Réyog (Javanese: ꦫꦺꦪꦺꦴꦒ꧀) is a traditional Indonesian dance in an open arena that serves as folk entertainment and contains some magical elements. The main dancer is a lion-headed person with a peacock feather decoration, accompanied by several masked dancers and Kuda Lumping.
Indang or Endang, also called Dindin badindin, is a traditional Minangkabau Islamic dance originating from West Sumatra, Indonesia.Indang dance grows and develops in the Minangkabau community as a portrayal of the arrival of Islam in West Sumatra in the 13th century.
The Srimpi (Javanese: ꦱꦿꦶꦩ꧀ꦥꦶ, romanized: Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta.
Gandrung dance performance in Balinese manuscripts. A collection of the University of Leiden, Netherlands. Gandrung derives its name from the Javanese word for "love". [1] It is theorized that the dance originated as a ritual dance to express the people's affection for the rice goddess Dewi Sri, [4] with trance and as a kind of fertility dance. [5]
In the Islamic world, this type of coin was designated under the name ruba'i, or quarter-dinar, as it weighed 1.05 g (0.034 ozt) of gold. [1] The ruba'i had been minted by the Muslims in Sicily, unlike the Muslim rulers of North Africa, who preferred the larger dinar. [3]
Singo Ulung performance in village. Singo Ulung is a masked dance art using barongan, which is the traditional art of Bondowoso regency that is usually performed at the annual anniversary of Bondowoso.
Country: Indonesia: Reference: 00617: Region: Asia and the Pacific: Inscription history; Inscription: 2015 (10th session) List: Representative: Wali Sacred Dances (Rejang, Sanghyang Dedari, Baris Upacara), Bebali Semi sacred Dances (Topeng Sidhakarya/Topeng Pajegan, Gambuh dance drama, Wayang Wong dance drama), Balih-balihan Entertainment Dances (Legong Kraton, Joged Bumbung, Barong Ket)
Tortor (Batak: ᯖᯬᯒ᯲ᯖᯬᯒ᯲) is a traditional Batak dance originating from North Sumatra, Indonesia.This dance was originally a ritual and sacred dance performed at funerals, healing ceremonies, and other traditional Batak ceremonies.