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Milo was the son of the Leudwinus of Trier and Willigard of Bavaria. He was born a nobleman and later styled Count of Trier. [1] His brother was Wido (Gui), Count of Hornbach. [2] Rotrude of Hesbaye was possibly his sister. [1] Lambert of Maastricht was a kinsman. Milo received a monastic education.
He turned the technique of "working at the lamp" to an art form back in 1968, when he opened the Frabel Studio in Atlanta, Georgia. [ 1 ] [ 2 ] At that time crystal glass was not considered a serious art medium and few artists were utilizing the beauty and diversity of glass to create unique art pieces.
The museum has a fine collection of Roman glass. A cage cup from Piesport, found in a grave in Trier, underlines the craftsmanship. The importance of Roman Trier became once more apparent in 1993 when a hoard of thousands of coins was found in the city centre, the largest Roman gold hoard ever found (with 2650 aurei weighing ca. 18,5 kg). The ...
This important collection includes over 450 works of art and is "the most comprehensive public collection of Australian studio glass anywhere." [ 5 ] Since that time Australian glass has gained worldwide recognition with Adelaide in South Australia, hosting the International Glass Art Society Conference in 2005 on only its third occasion ...
Also in 2006 an enclosed garden and glass-blowing studio were added to the complex. The glass studio presents glass working demonstrations to the public and seminars for students of glass. Lynggaard (1930-2011), originally a ceramicist, had lectured in Sheridan College in Oakville, Ontario, where he encountered the studio glass movement.
Leptat glass is a signature etched glass patented and produced by Conrad Schmitt Studios. After viewing a Czechoslovakian glass exhibit at the 1969 World's Fair in Osaka, Japan, Bernard O. Gruenke began to explore etching techniques at his New Berlin studio. He and his son experimented with new methods that produced results unlike the evenly ...
The studio is regarded as part of the Arts and Crafts Movement, [5] but was infused also with the contemporary spirit of Irish revivalism [6] and drew on the artistic tradition of Celtic manuscript illumination. Ireland became an internationally renowned center of stained-glass art at this time, to a large extent as a result of An Túr Gloine. [7]
The date of Tilpin's election as a bishop is unknown, usually placed in 748 or 753. According to Hincmar, the later archbishop of Reims, Tilpin occupied himself in securing the restoration of the rights and properties of his church, the revenues and prestige of which had been impaired under the rule of the more martial Milo. [2]