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Example: My stick fingers click with a snicker And, chuckling, they knuckle the keys; Light-footed, my steel feelers flicker And pluck from these keys melodies. —“Player Piano,” John Updike. Euphony –A series of musically pleasant sounds that give the poem a melodious quality, conveying a sense of harmony to the reader.
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet ...
The Penguin Dictionary of Literary Terms and Literary Theory. Penguin Books, 2000. ISBN 0-14-051363-9. Dana Gioia. The Longman Dictionary of Literary Terms: Vocabulary for the Informed Reader. Longman, 2005. ISBN 0-321-33194-X. Sharon Hamilton. Essential Literary Terms: A Brief Norton Guide with Exercises. W. W. Norton, 2006. ISBN 0-393-92837-3.
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
Modernist poetry is a broad term for poetry written between 1890 and 1970 in the tradition of Modernist literature. [ 43 ] [ 44 ] Schools within it include already 20th-century Acmeist poetry , Imagism , Objectivism , and the British Poetry Revival .
For example, it was a letter from the Revival poet Andrew Crozier which prompted Rakosi's return to poetry. Amidst the continuous reappraisals, critical and otherwise, of the legacy and literary formation of the Objectivists, a well known mapping of the territory continues to be one put forth by poet Ron Silliman: "three-phase Objectivism ...
In literature, polyphony (Russian: полифония) is a feature of narrative, which includes a diversity of simultaneous points of view and voices. Caryl Emerson describes it as "a decentered authorial stance that grants validity to all voices". [1]
The book provides lengthy selections—about three hundred lines of verse—of the forty-five poets who were in print with the series in its twenty-fifth anniversary year. During this period, first under the editorship of Paul Zimmer , and then Ed Ochester , 156 books by 102 poets were published.