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On the other hand, Roger Ebert called Comfort and Joy "... one of the happiest and most engaging movies you are likely to see this year, and it comes from a Glasgow director who has made a specialty out of characters who are as real as you and me, and nicer than me." [16] Rotten Tomatoes gives the film a rating of 100% based on ten reviews. [17]
Doing so will alternatively put the image into Non-free posters category. However, you have the option of putting the image into one of the appropriate sub-categories such as Non-free images of event posters, Non-free images of film posters, Animated film posters, Non-free images of television program posters, Non-free images of theatre posters, etc.
William David Forsyth (born 29 July 1946), known as Bill Forsyth, is a Scottish film director and writer known for his films Gregory's Girl (1981), Local Hero (1983) and Comfort and Joy (1984) as well as his adaptation of the Marilynne Robinson novel Housekeeping (1987).
Image:Comfort and joy.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use.
Comfort and Joy, starring Nancy McKeon "Comfort and Joy" (Justice League episode), an episode of the animated series; Comfort & Joy, an album by a cappella group Rockapella "Comfort and Joy", an a cappella arrangement of "God Rest Ye Merry Gentlemen" from Old Friends (1997 Simon and Garfunkel album) Comfort & Joy, an extended play by Tinashe
Comfort and Joy is a 2003 American made-for-television romantic drama film directed by Maggie Greenwald and starring Nancy McKeon as Jane Berry. [1] The film originally aired on the Lifetime cable network on December 1, 2003.
Icon used on "fair use" tags w:Template:Movie poster and its redirect w:Template:Movieposter for movie posters on the English Wikipedia. The movie in question is of course just a joke. The movie in question is of course just a joke.
This image is of a film poster, and the copyright for it is most likely owned by either the publisher or the creator of the work depicted. It is believed that the use of scaled-down, low-resolution images of film posters to provide critical commentary on the film in question or of the film poster itself, not solely for illustration