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Two drawings taking up the theme of the painting are attributed to Poussin. One is kept in the British Museum. [5] Although very damaged, it already presents the main lines of the painting with a few variations: the soldier in the center does not extend his hand to the sky but holds the hand of Germanicus, thus remaining closer to the text of ...
Death of Germanicus (1773–1774), a marble sculpture by British sculptor Thomas Banks. [97] Thusnelda im Triumphzug des Germanicus (1873), a painting by German painter Karl von Piloty. [56] I, Claudius (1934), a historical fiction novel by classicist Robert Graves. [98] The Caesars (1968), a British television series by Philip Mackie.
Germanicus' expedition into Germania was a Roman military expedition from 14 to 16 AD against a coalition of Germanic tribes on the right bank of the Rhine.The campaigns are named after Nero Claudius Germanicus (born 15 BC; died 19 AD), the great-nephew of Augustus.
Germanicus (15 B.C.-A.D. 19) was a successful general and immensely popular with both the military and Roman citizenry, yet he never ascended the throne due to his death at the age of 33, five years into Tiberius' reign. Germanicus received extensive posthumous honors and was venerated as Rome's version of Alexander the Great.
The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. The reproduction is part of a collection of reproductions compiled by The Yorck Project . The compilation copyright is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU Free Documentation License .
Others paintings show the moment of his execution, of which there are examples by fr:Charles-Gustave Housez, [40] Paul-Jacques-Aimé Baudry (1847), [41] Jules-Eugène Lenepveu (1847), [42] and an engraving by Edouard Vimont (1876–1930).
Map of Limes Germanicus, the system of fortifications representing the boundary of Roman control in Upper Germania The Frankfurt silver inscription is an 18-line Latin engraving on a piece of silver foil, housed in a protective amulet dating to the mid- 3rd century AD .
The painting was commissioned on February 5, 1628, by the Fabric of Saint Peter, to adorn the altar dedicated to Erasmus of Formia in St. Peter's Basilica. More precisely, it was to be located to the left of the north transept, near the Martyrdom of Saint Processus and Saint Martinian by Valentin de Boulogne (1629). [2]