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Two drawings taking up the theme of the painting are attributed to Poussin. One is kept in the British Museum. [5] Although very damaged, it already presents the main lines of the painting with a few variations: the soldier in the center does not extend his hand to the sky but holds the hand of Germanicus, thus remaining closer to the text of ...
Death of Germanicus (1773–1774), a marble sculpture by British sculptor Thomas Banks. [97] Thusnelda im Triumphzug des Germanicus (1873), a painting by German painter Karl von Piloty. [56] I, Claudius (1934), a historical fiction novel by classicist Robert Graves. [98] The Caesars (1968), a British television series by Philip Mackie.
Germanicus' expedition into Germania was a Roman military expedition from 14 to 16 AD against a coalition of Germanic tribes on the right bank of the Rhine.The campaigns are named after Nero Claudius Germanicus (born 15 BC; died 19 AD), the great-nephew of Augustus.
The bust depicts the young Germanicus before the depositio barbae, the Roman ritual first shaving of the beard. While the image, or portrait type, was created at the time of his adoption by Tiberius in A.D. 4, this bust is a posthumous portrait of the popular general, who was being groomed to be emperor but died young.
The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. The reproduction is part of a collection of reproductions compiled by The Yorck Project . The compilation copyright is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU Free Documentation License .
An X-ray of the Ghent Altarpiece, painted by Jan van Eyck, in Saint Bavo Cathedral in Ghent, Belgium revealed the structure and details of the large altarpiece's painting scheme. The complete radiography of the altarpiece was conducted between 2010 and 2011 as part of a project largely funded by the Getty Institute .
Others paintings show the moment of his execution, of which there are examples by fr:Charles-Gustave Housez, [40] Paul-Jacques-Aimé Baudry (1847), [41] Jules-Eugène Lenepveu (1847), [42] and an engraving by Edouard Vimont (1876–1930).
This classicising tendency went on to make an inestimable impact on Western art, influencing many of the greatest painters of subsequent generations, from Jacques-Louis David and Ingres to Cézanne and Picasso; even today artists continue to be inspired by Poussin’s work and ideas about painting. In treating themes of death and dying, Poussin ...