Search results
Results From The WOW.Com Content Network
"Gimme! Gimme! Gimme! (A Man After Midnight)" was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog.Fältskog, as the narrator, weaves the image of a lonely woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different ...
This version appears on all of the band's compilation albums. A version of the 12" single was included with early copies of the debut LP Wonderland. One of the B-sides is a cover version of "Gimme! Gimme! Gimme! (A Man After Midnight)", the first time Erasure covered a song from the ABBA songbook.
This is an accepted version of this page This is the latest accepted revision, reviewed on 23 February 2025. Book containing line art, to which the user is intended to add color For other uses, see Coloring Book (disambiguation). Filled-in child's coloring book, Garfield Goose (1953) A coloring book is a type of book containing line art to which people are intended to add color using crayons ...
The album was re-released in 2004, five years after its initial release to commemorate the musical's 5th anniversary.The new edition contained the original 24 tracks as well as three bonus tracks: the encore versions of "Dancing Queen", "Mamma Mia", and "Waterloo".
Cale recorded the song and then released it in 1966 as a single with its flipside track "Slow Motion". [3] [4] When Eric Clapton was working with Delaney & Bonnie Bramlett, Delaney Bramlett introduced Clapton to the music of J.J. Cale. [5] [6] "After Midnight" was the first of several Cale cover songs released by Clapton and appeared on his self-titled debut album.
Get breaking news and the latest headlines on business, entertainment, politics, world news, tech, sports, videos and much more from AOL
'The Negro Speaks of Rivers' An American classic, Hughes addresses two forces, timeless in their presence: his ancestors and his own soul. Both, in their ways, existed at the banks of the ...
After landing at Kurtz's station, a man boards the steamboat: a Russian wanderer who strayed into Kurtz's camp. Marlow learns that the natives worship Kurtz and that he has been very ill. The Russian tells of how Kurtz opened his mind and admires Kurtz even for his power and his willingness to use it. Marlow suspects that Kurtz has gone mad.