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Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Open gown over stomacher, 1753. A stomacher is a decorated triangular panel that fills in the front opening of a woman's gown or bodice. The stomacher may be boned, as part of a stays, or may cover the triangular front of a corset. If simply decorative, the stomacher lies over the triangular front panel of the stays, being either stitched or ...
Anne of Denmark had her gowns altered in 1603 to suit English fashions, and employed Robert Hughes to make farthingales from 1603 to 1618. [28] Robert Naunton thought that Anne's farthingale might conceal a pregnancy in October 1605, writing, "The Queen is generally held to be pregnant, but no appearance eminent by reason of the short vardugals ...
Some men wore houppelandes that extended only as far as the buttocks, prompting critics to claim that they looked like women from behind. [4] Longer versions were mostly worn on ceremonial occasions. A mid-calf version known as the houppelande à mi-jambe gained popularity in the 1400s.
Scrolling floral embroidery decorates this Englishwoman's dress, petticoat, and linen jacket, accented with blue-tinted reticella collar, cuffs, and headdress, c. 1614–18. Figured silks with elaborate pomegranate or artichoke patterns are still seen in this period, especially in Spain, but a lighter style of scrolling floral motifs, woven or ...
The unidentified tailor in Giovanni Battista Moroni's famous portrait of c. 1570 is in doublet and lined and stuffed ("bombasted") hose.. A doublet (/ ˈ d ʌ b l ɪ t /; [1] derived from the Ital. giubbetta [2]) is a man's snug-fitting jacket that is shaped and fitted to a man's body.
A long gown with a train has fur at the cuffs and neckline and is worn with a wide belt, c. 1460. An attendant in the same illustration wears a red hood with a long liripipe. Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur ...
Dress in Holland, Belgium, and Flanders, now part of the Empire, retained a high, belted waistline longest. Italian gowns were fitted to the waist, with full skirts below. The French gown of the first part of the century was loosely fitted to the body and flared from the hips, with a train. The neckline was square and might reveal the kirtle ...