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Designed for bass players and inspired by the 1998 "Black Russian", this pedal has an added switch which allows for a low-end boost. Nano Muff Overdrive 2008 - 2023 Discontinued Reissue of the 1969 Muff Fuzz and the 1971 Little Muff Pi, with a nano-sized chassis and powered by 9V. Big Muff Pi with Tone Wicker 2008 - Present Available
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
Fuzz bass is a style of playing the electric bass or modifying its signal that produces a buzzy, distorted, overdriven sound. Overdriving a bass signal significantly changes the timbre, adds higher overtones (harmonics), increases the sustain, and, if the gain is turned up high enough, creates a "breaking up" sound characterized by a growling ...
Fuzz bass (also called bass overdrive) is a style of playing the electric bass that produces a buzzy, overdriven sound via a tube or transistor amp or by using a fuzz or overdrive pedal. Notable examples of fuzz effect units include the: Arbiter Fuzz Face , Electro-Harmonix Big Muff , Shin-ei Companion FY-2 , Univox Super-Fuzz , Vox Tone Bender ...
Univox had many effects units, generally made by Shin-Ei, but perhaps their most well known was the Super-Fuzz Pedal, used by Pete Townshend. [3] Univox also produced the Uni-Vibe , a chorus/vibrato that attempted to emulate a Leslie speaker effect, popularized by Jimi Hendrix .
The pedals all share the same 'footprint', for compatibility with pedal boards. Boss introduced COSM (Composite Object Sound Modeling), Roland's proprietary version of digital modeling technology, into their AC-3 Acoustic Simulator pedal in 2006. Boss has since released several pedals using COSM, including the FBM-1 '59 Fender Bassman pedal and ...