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Following the end of her contract with Epic, Munroe began working with friend and Grammy-nominated producer Chris Seefried.In his LA studio, they experimented with jazz ballads, and recorded an original song called "Nobody's Sweetheart" and an interpretation of the 1966 song "Blackbird" by Nina Simone, using a cappella vocals and then building the music around Munroe's voice. [5]
Note: These songlists include the names of the artists who most famously recorded the song. The songs as they appear in the game are covers, with the exceptions being the song "Dance Like There's No Tomorrow", which is the master recording of the Paula Abdul song, and 10 original Mowtown songs in the Xbox version of Karaoke Revolution
Brittany Amber Howard (born October 2, 1988 [4] [5]) is an American musician from Athens, Alabama.She rose to prominence in the early 2010s as the lead vocalist, rhythm guitarist, and primary songwriter of Alabama Shakes.
Angela Stefano of Taste of Country wrote that the song was "a big ol' slice of girl power". [2] Writing for the same site, Cillea Hougton stated that "The summery track ditches the polite standards associated with the phrase the song is named after, instead following a single woman for a night on the town where she treats herself to the highest liquor on the shelf and dances like no one’s ...
Pages in category "American women singer-songwriters" The following 200 pages are in this category, out of approximately 1,817 total. This list may not reflect recent changes .
Pages in category "English women singer-songwriters" The following 200 pages are in this category, out of approximately 397 total. This list may not reflect recent changes .
Hillary Dawn Scott-Tyrrell (born April 1, 1986) is an American singer and songwriter who rose to fame as the co-lead vocalist of the country music group Lady A. She is signed to Big Machine Records. In collaboration with her family, Scott released the gospel album Love Remains in 2016 as a solo artist. The album reached number 7 on the ...
The reviewer of Billboard wrote: "While the sweet-voiced Collins fares less well with rock-oriented material such as 'Like a Rolling Stone,' she excels on tender, melodic numbers like 'Dark Eyes,' 'Just Like a Woman,' and the devotional 'I Believe In You'; the early '60s-vintage 'Bob Dylan's Dream' acquires a moving new resonance in Collins ...