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  2. Cymbal alloys - Wikipedia

    en.wikipedia.org/wiki/Cymbal_alloys

    There is a minority view that the word "bronze" should be reserved for two-phase alloys, which may be their usage here. Unlike cymbals, some gongs are made from several different metals fused together. Many different metals have been used. Parts of some traditional gongs, notably the bosses of some "nipple" gongs, are made from iron based alloys.

  3. Paiste - Wikipedia

    en.wikipedia.org/wiki/Paiste

    It is the world's third largest manufacturer of cymbals, gongs, and metal percussion. [citation needed] Paiste is an Estonian and Finnish word that means "shine". [citation needed] Apart from cymbals and gongs, Paiste has also manufactured other percussion instruments, including crotal bells, finger cymbals, and cowbells, which were later ...

  4. Meinl Percussion - Wikipedia

    en.wikipedia.org/wiki/Meinl_Percussion

    In 2006 Meinl began the production of the "Mb10 Series", made out of B10 bronze alloy (90% copper and 10% tin), making them the only company to produce cymbals out of four different bronze alloys (B8, B10, B12 and B20 bronze). [2] On December 4, 2007 company founder Roland Meinl died at the age of 78. [2]

  5. Paiste Cymbals - Wikipedia

    en.wikipedia.org/?title=Paiste_Cymbals&redirect=no

    What links here; Related changes; Upload file; Special pages; Permanent link; Page information; Cite this page; Get shortened URL; Download QR code

  6. Gong - Wikipedia

    en.wikipedia.org/wiki/Gong

    A form of bronze cauldron gong known as a resting bell was widely used in ancient Greece and Rome: for instance in the famous Oracle of Dodona, where disc gongs were also used. [5] [6] Gongs generally fall into three types: Suspended gongs are more or less flat, circular discs of metal suspended vertically by means of a cord passed through ...

  7. Cymbal making - Wikipedia

    en.wikipedia.org/wiki/Cymbal_making

    Paiste has been using this technique and the same type of machines since at least the mid 50’s or earlier. The next step is fine tuning: a different cymbal-smith now hammers the cymbal by hand to fine tune the shape and checks the bow with a ruler and on a steel flat table to make sure the edges are straight, he also checks the cymbal against ...