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For a longer list, see Figure of speech: Tropes. Kenneth Burke has called metaphor, metonymy, synecdoche and irony the "four master tropes" [17] owing to their frequency in everyday discourse. These tropes can be used to represent common recurring themes throughout creative works, and in a modern setting relationships and character interactions.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
List of Brontë poems; List of poems by Ivan Bunin; List of poems by Catullus; List of Emily Dickinson poems; List of poems by Robert Frost; List of poems by John Keats; List of poems by Philip Larkin; List of poems by Samuel Taylor Coleridge; List of poems by Walt Whitman; List of poems by William Wordsworth; List of works by Andrew Marvell
The first is "a book on the art of poetry", and the second is a "little book of tropes and figures; that is, of the figures and manners of speaking in which the Holy Scriptures are written". [55] The majority of extant manuscripts of these treatises contain both of them. [54] De arte metrica
Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “ A Boat beneath a Sunny Sky ” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic.
Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [9] [10]Synecdoche (and thus metonymy) is distinct from metaphor, [11] although in the past, it was considered a sub-species of metaphor, intending metaphor as a type of conceptual substitution (as Quintilian does in Institutio oratoria Book VIII).
The Proletarian poetry is a genre of political poetry developed in the United States during the 1920s and 1930s that endeavored to portray class-conscious perspectives of the working-class. [64] Connected through their mutual political message that may be either explicitly Marxist or at least socialist , the poems are often aesthetically disparate.
cemetery poetry (see the Spoon River Anthology); love and death (in Greek, eros and thanatos), love as disease and love as death, (see the character of Dido in Virgil's Aeneid); warlike love (see the work Stanze per la giostra by Giuliano de 'Medici by Angelo Poliziano), love as homage (see the courtly lyric poem), painful love; the world ...