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Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. [1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas .
Thirteen Ways of Looking at a Blackbird" is a poem from Wallace Stevens's first book of poetry, Harmonium. The poem consists of thirteen short, separate sections, each of which mentions blackbirds in some way. Although inspired by haiku, none of the sections meets the traditional definition of haiku.
The text of the poem is as in Poetry and Criticism of Matthew Arnold, edited by Dwight Culler, Boston: Houghton Mifflin Company, 1961; ISBN 0-395-05152-5 and Matthew Arnold's Poems ed. Kenneth Allott (pub. J. M. Dent & Sons Ltd, 1965). The editors of this page have opted for the elided spellings on several words ("blanch'd," "furl'd ...
A subsequent notice linked to an example of micropoetry by another user, which was clearly lyrical but didn't appear to fit any preexistent form such as haiku or tanka. While short poems are most associated with the haiku , the emergence of microblogging sites in the 21st century created a modern venue for epigrammatic verse.
"Not Waving but Drowning" is a poem by the British poet Stevie Smith.It was published in 1957, as part of a collection of the same title. [1] The most famous of Smith's poems, [2] it gives an account of a drowned man, whose distant movements in the water had been mistaken for waving. [3]
O'er Columbia's true sons let it wave; May the wreaths they have won never wither, Nor its stars cease to shine on the brave. May thy service united ne'er sever, But hold to the colors so true; The Army and Navy forever, Three cheers for the red, white, and blue! 𝄆 Three cheers for the red, white, and blue! 𝄇 The Army and Navy forever,
Bluets is a book by American author Maggie Nelson, published by Wave Books in 2009. The work hybridizes several prose and poetry styles as it documents Nelson's multifaceted experience with the color blue, and is often referred to as lyric essay or prose poetry. [1] [2] It was written between 2003 and 2006.
Davies returned to Britain, to a rough life largely in London shelters and doss-houses, including a Salvation Army hostel in Southwark known as "The Ark", which he grew to despise. [12] Fearing the reaction of his fellow tramps to his writings, Davies would pretend to sleep, while composing his poems in his head, for later transcription in private.