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"Tears in Heaven" is a song by English guitarist, singer, and songwriter Eric Clapton and Will Jennings, written about the death of Clapton's four-year-old son, Conor. It appeared on the 1991 Rush film soundtrack .
Giuseppe Henry "Pino" Palladino (born 17 October 1957) is a Welsh musician, songwriter, and record producer. A session bassist, he has played bass for a number of acts such as the Who, [1] the John Mayer Trio, Gary Numan, Paul Young, Don Henley, David Gilmour, Go West, Tears for Fears, Nine Inch Nails, Jeff Beck, Adele and D'Angelo.
Taylor started playing in local bands in his youth before joining Neon as a session musician in the early 1980s. During this time he met Curt Smith and Roland Orzabal who, after founding Tears for Fears, asked Taylor to tour with them and play guitar tracks for their second album, Songs from the Big Chair (1985), [1] and their third album, The Seeds of Love (1989).
Orzabal and Smith briefly joined Neon and then went on to form Tears for Fears, a new wave music/synthpop outfit directly inspired by the writings of the American psychologist Arthur Janov. [7] Orzabal sings and plays guitar for the band, while Smith sings and plays bass guitar. [8] Orzabal is also the band's main songwriter. [9]
Gail Ann Dorsey (born November 20, 1962) is an American musician. With a long career as a session musician mainly on bass guitar, she performed regularly in David Bowie's band, from 1995 to Bowie's last tour in 2004.
The Seeds of Love is the third studio album by English pop rock band Tears for Fears, released on 25 September 1989 by Fontana Records. [5] It retained the band's epic sound while incorporating influences ranging from jazz and soul to Beatlesque pop.
His first Fender bass guitar was a gift from Tom Fogerty, brother of John Fogerty, and rhythm guitarist for Creedence Clearwater Revival. Saunders earned the first of his two Emmys at the age of 14 for collaborating with his father, Merl, on the PBS documentary Soul Is.
The song also has a lengthy guitar solo, unusual for Tears for Fears. Orzabal has said that the song "is actually more concerned with political protest" than the common view that it is about primal scream theory. [7] The song was written in my front room on just a small synthesizer and a drum machine.