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  2. File:Giotto. Pentecost. 1320-25 National Gallery, London..jpg

    en.wikipedia.org/wiki/File:Giotto._Pentecost...

    The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .

  3. Life of Christ (Giotto) - Wikipedia

    en.wikipedia.org/wiki/Life_of_Christ_(Giotto)

    Depicting the Nativity and Passion of Christ, and Pentecost, they are now housed in a number of museums: three are in the Alte Pinakothek in Munich, and the Metropolitan Museum of Art in New York, the Isabella Stewart Gardner Museum in Boston, the Berenson Collection in Settignano and the National Gallery in London all have one each.

  4. Category:Paintings by Giotto - Wikipedia

    en.wikipedia.org/wiki/Category:Paintings_by_Giotto

    Download QR code; Print/export Download as PDF; ... Paintings by Giotto di Bondone (1266−1337) — the renowned Italian Late Gothic artist of frescos and polychrome ...

  5. Scrovegni Chapel - Wikipedia

    en.wikipedia.org/wiki/Scrovegni_Chapel

    Giotto's work thus falls in the period from 25 March 1303 to 25 March 1305. Model of the interior of the chapel, towards entrance Towards the apse and altar. Giotto, who was born around 1267, was 36–38 years old when he worked at Enrico Scrovegni's chapel.

  6. File:Giotto - Scrovegni - -17- - Nativity, Birth of Jesus.jpg

    en.wikipedia.org/wiki/File:Giotto_-_Scrovegni...

    Giotto di Bondone (1267-1337), Cappella Scrovegni a Padova, Life of Christ, Nativity, Birth of Jesus {{PD-art}} Category:Giotto Category:Jesus Christ File usage The following 3 pages use this file:

  7. Badia Polyptych - Wikipedia

    en.wikipedia.org/wiki/Badia_Polyptych

    The work is composed by five framed paintings with a triangular cusp, and portrays the busts of the Virgin Mary (center) and, from the left, Saints Nicholas of Bari, John the Evangelist, Peter and Benedict, identified by their names below and their traditional attributes. Giotto made an extensive use of chiaroscuro.