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The first ethnologists to work with the Bongo language were John Petherick, who published Bongo word lists in his 1861 work, Egypt, the Soudan, and Central Africa; Theodor von Heuglin, who also published Bongo word lists in Reise in das Gebiet des Weissen Nil, &c. 1862-1864 in 1869; and Georg August Schweinfurth, who contributed sentences and vocabularies in his Linguistische Ergebnisse, Einer ...
John Rodríguez Jr. (September 11, 1945 – August 17, 2024), better known as Johnny "Dandy" Rodríguez, was an American bongo player of Puerto Rican descent. He was the long-time bongosero for Tito Puente, and also played with Tito Rodríguez, Ray Barretto and Alfredo de la Fé.
Nahru Lampkin, aka Bongo Man (born 1962), is an American entertainer, musician, street performer, and entrepreneur from Detroit, Michigan. [1] He has two other jobs, but he is best known as a street performer who plays conga drums (referred to as bongo drums by his customers) [2] near the entrance to sporting and other events, while offering rhymed comments to passers-by. [3]
They speak the Bongo language, one of the Bongo-Baka languages. In the early 1990s, their number was estimated at 200.000 people, with 40% Muslims. [1] Unlike the Dinka and other Nilotic ethnic groups, the Bongo are not a cattle herding people and do not use cows for bride price. Subsistence farming and hunting is the primary source of food ...
The song is a satire of modern society sung from the perspective of an African tribesman. The tribesman has heard from missionaries that "civilization is fine", but he remains unconvinced: civilized people spend their lives working in cramped and noisy cities and have to deal with such annoyances as landlords, doorbells, and automobile accidents.
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In 1972, Nze Dan Orji, and Raphael Amarabem formed the Peacocks International Band. The band’s first single, “Sambola Mama,” was the first truly popular Bongo music. It would go on to sell 150,000 copies in Ghana, and more than double that amount in Nigeria. The 1970s and ‘80s marked the strongest periods in the trajectory of Bongo ...
Bongo Flava is one of the newer Tanzanian genres, developed in the 1990s, and is a fusion genre. It is a continuation of muziki wa kizazi kipya, meaning "Music of the new generation" of the late '80s and early '90s. [11] At its inception, bongo flava was more heavily influenced by US hip-hop and reggae, fused with Tanzanian music styles. [6 ...