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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In music and jazz improvisation, a melodic pattern (or motive) is a cell or germ serving as the basis for repetitive pattern. It is a figure that can be used with any scale . It is used primarily for solos because, when practiced enough, it can be extremely useful when improvising .
Arguably Beethoven achieved the highest elaboration of this technique; the famous "fate motif" —the pattern of three short notes followed by one long one—that opens his Fifth Symphony and reappears throughout the work in surprising and refreshing permutations is a classic example.
A musical figure or figuration is the shortest idea in music; a short succession of notes, often recurring. It may have melodic pitch , harmonic progression , and rhythmic meter . The 1964 Grove's Dictionary defines the figure as "the exact counterpart of the German 'motiv' and the French 'motif ' ": it produces a "single complete and distinct ...
Pérotin, "Alleluia nativitas", in the third rhythmic mode. In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms).The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a ligature, and by ...
An example are the Impromptus (Op. 7) by Jan Voříšek. [ 9 ] Expanded ternary forms are especially common among Romantic-era composers ; for example, Chopin's "Military" Polonaise (Op. 40, No. 1) is in the form [(A–A–B–A-B–A) (C–C–D–C-D–C) (A–B–A)] , where the A and B sections and C and D sections are repeated as a group ...
Shape notes of various kinds have been used for over two centuries in a variety of music traditions, mostly sacred music but also secular, originating in New England, practiced primarily in the Southern United States for many years, and since 2013 experiencing a renaissance in other locations as well.
Note that in most Cuban and Cuban-based popular music, such as salsa, the two halves of the pattern are reversed: the two-side is the precedent, the three-side the consequent. Please see the article on clave for a fuller explanation. An actual key pattern does not need to be played in order for a key pattern to define the period.