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"Hear my prayer, O Lord", Z. 15, [1] is an eight-part choral anthem by the English composer Henry Purcell (1659–1695). [2] The anthem is a setting of the first verse of Psalm 102 [2] in the version of the Book of Common Prayer. Purcell composed it c. 1682, at the beginning of his tenure as Organist and Master of the Choristers for Westminster ...
God is gone up with a shout, the L ORD with the sound of a trumpet. Sing praises to God, sing praises: sing praises unto our King, sing praises. For God is the King of all the earth: sing ye praises with understanding. God reigneth over the heathen: God sitteth upon the throne of his holiness.
Hymns additional to the Hymns in the Prayer Book (1850) [40] A Selection of Psalms and Hymns, for the use of Sunday Schools (1850) [41] The Lecture-Room Hymn-Book: containing the psalms and hymns of the book of common prayer (1855) [42] The Infant-School Hymn-Book (1856) [43] A Collection of Hymns (1859) [44] A Collection of Sacred Song (1859) [45]
Hear my prayer" (German: Hör' mein Bitten) is an anthem for soprano solo, chorus and organ or orchestra composed by Felix Mendelssohn in Germany in 1844. The first performance took place in Crosby Hall, London , on 8 January 1845. [ 1 ] (
"The Lord's Prayer" is a musical setting of the biblical Lord's Prayer, composed by Albert Hay Malotte in 1935, and recorded by many notable singers. According to his New York Times obituary: "Mr. Malotte's musical setting of 'The Lord's Prayer' was the first one that achieved popularity, although the prayer had been set to music many times before."
He was born on October 6, 1816, in York, Maine, where his father was the leader of a church choir.He had a brother, Edward G. Bradbury. He moved with his parents to Boston and met Lowell Mason, and by 1834 was known as an organist.
The hymn uses classical metres: the Sapphic stanza consisting of three Sapphic hendecasyllables followed by an adonius (a type of dimeter).. The chant is useful for teaching singing because of the way it uses successive notes of the scale: the first six musical phrases of each stanza begin on a successively higher notes of the hexachord, giving ut–re–mi–fa–so–la; though ut is ...
Jesus Paid It All (also known as Fullness in Christ and I hear the Saviour say and Christ All and in All) is a traditional American hymn about the penal substitutionary atonement for sin by the death of Jesus. The song references many Bible verses, including Romans 5 ("Jesus' sacrifice gives life") and Isaiah 1:18 ("a crimson flow"). [1]