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"Jeans On" is a song by British musician David Dundas from his 1977 self-titled debut album. Released as a single the previous year, it was first featured as a television advertising jingle in The United Kingdom for Brutus Jeans. [1] and subsequently in a television advertising jingle in 2024 for Wrangler Jeans in The United States.
"Baby's Got Her Blue Jeans On" is a song written by Bob McDill and recorded by American country music artist Mel McDaniel. It was released in October 1984 as the lead-off single from his album Let It Roll. It was a number-one hit on the U.S. Billboard Hot Country Songs chart in February 1985, and Mel McDaniel's only number-one single.
Main article: The Notorious B.I.G. discography This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "List of songs recorded by the Notorious B.I.G." – news · newspapers · books · scholar · JSTOR (August 2014) (Learn how and when to remove this message) The ...
Young's manager Elliot Mazer suggested adding three older songs to the album - "Come On Baby Let's Go Downtown" as well as "Borrowed Tune" and "Lookout Joe." [5] [13] With those three songs added, Young eventually decided to release the Tonight's the Night album in 1975, instead of Homegrown, which he had recently recorded. [13] "Come On Baby ...
"Come On Baby", song by Joe Satriani from Professor Satchafunkilus and the Musterion of Rock; Come On Baby (Moby song) Come On Baby (Saigon song) "Come On Baby (Let's Do the Revolution)", song by Chumbawamba from Never Mind the Ballots
"Come On" (Kish Mauve song), 2009; covered by Will Young, 2011 ... "Come On", a song by City Girls and Saweetie from the compilation Control the Streets, Volume 2, 2019
"Come On" (often referred to as "Let the Good Times Roll") is a song written by New Orleans rhythm and blues artist Earl King. He first recorded the song as "Darling Honey Angel Child" in 1960 for the Ace Records subsidiary Rex. Later that year, he recorded it as a two-part song for Imperial Records using some new lyrics. Retitled "Come On", it ...
A reviewer for The A.V. Club referred to "Come On, Come On" as "over-the-top pop" in a positive review for Astro Lounge. [3] Martin Huxley of BMI's MusicWorld cited "Come On, Come On" as an example of a song that demonstrates Smash Mouth's "pithy mix of... punk, ska, hip-hop, surf, bubblegum and psychedelic influences."