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The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...
"Hear my prayer, O Lord", Z. 15, [1] is an eight-part choral anthem by the English composer Henry Purcell (1659–1695). [2] The anthem is a setting of the first verse of Psalm 102 [2] in the version of the Book of Common Prayer. Purcell composed it c. 1682, at the beginning of his tenure as Organist and Master of the Choristers for Westminster ...
The Church Hymnal: a collection of hymns from the Prayer book hymnal (1869) [56] The Book of Common Praise: with music for the Book of Common Prayer (1869) [57] A Church hymnal: compiled from "Additional hymns," "Hymns ancient and modern," and "Hymns for church and home," as authorized by the House of Bishops (1870) [58]
In 1929, the music of the psalter was revised by the Church of Scotland to bring its harmonies into line with those in the revision of the hymnal. The psalter was usually printed at the front of the first two editions of the hymnal (1898, 1927), and throughout much of the 20th century there was a widespread tradition of beginning worship with a ...
Many hymns are modelled after Psalm 47. [26] They include the English The Universal Sovereignty of Christ with the incipit "Rejoice, ye people, homage give", published in 1902, [26] and the German "Völker aller Land", written by Georg Thurmair in 1964 and revised 1971, when it was selected to appear in the German Catholic hymnal Gotteslob of ...
Purcell composed his last setting of the same sentence for the Music for the Funeral of Queen Mary in 1695, Z. 58C. Here, the words are set mostly in homophony, possibly to complete sentences by Thomas Morley, whose setting of this particular sentence was rediscovered only later. Purcell used an older style to match Morley's music. [5]