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In addition to writing in different forms (poetry, books, repetition of one word), hypergraphia patients differ in the complexity of their writings. While some writers (e.g. Alice Flaherty [ 4 ] and Dyane Harwood [ 5 ] ) use their hypergraphia to help them write extensive papers and books, most patients do not write things of substance.
Other related symptoms include the use of neologisms (new words without clear derivation, e.g. hipidomateous for hippopotamus), words that bear no apparent meaning, and, in some extreme cases, the creation of new words and morphosyntactic constructions. From the "stream of unchecked nonsense often under pressure and the lack of self-correction ...
Entopic graphomania is a surrealist drawing exercise designed to highlight patterns and meaning in pieces of paper, including newspapers, blank pieces of copy paper, and pages of a book. [10] The process consists of closely examining a page for distinguishing features (folds, creases, blank spaces) and marking them with a writing utensil.
Gerstmann syndrome agraphia is the impairment of written language production associated with the following structural symptoms: difficulty discriminating between one's own fingers, difficulty distinguishing left from right, and difficulty performing calculations. [6] All four of these symptoms result from pathway lesions.
Example reading "خط نڛتعليق" ("Nastaliq script") in Nastaliq. The dotted form ڛ is used in place of س .. Nastaliq (/ ˌ n æ s t ə ˈ l iː k, ˈ n æ s t ə l iː k /; [2], Persian: [næstʰæʔliːq]; Urdu: [nəst̪ɑːliːq]), also romanized as Nastaʿlīq or Nastaleeq, is one of the main calligraphic hands used to write the Perso-Arabic script and it is used for some ...
There are two main types of word art: [2] One uses words or phrases because of their ideological meaning, their status as an icon, or their use in well-known advertising slogans; in this type, the content is of paramount importance, and is seen in some of the work of Barbara Kruger, On Kawara and Jenny Holzer's projection artwork called "For the City" (2005) in Manhattan.
The nuqta, and the phonological distinction it represents, is sometimes ignored in practice; e.g., क़िला qilā being simply spelled as किला kilā.In the text Dialect Accent Features for Establishing Speaker Identity, Manisha Kulshreshtha and Ramkumar Mathur write, "A few sounds, borrowed from the other languages like Persian and Arabic, are written with a dot (bindu or nuqtā).
The Naskh style of writing can be found as early as within the first century of the Islamic calendar. [2] The Naskh script was established in the first century of the Hijri calendar by order of Abd al-Malik ibn Marwan due to the presence of defects in the Kufic script. [1] Two centuries before it was recorded by Ibn Muqla