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Samples of sans-serif typefaces Typeface name Example 1 Example 2 Example 3 Agency FB Designer: Caleigh Huber & Morris Fuller Benton Class: Geometric : Akzidenz-Grotesk Designer: Günter Gerhard Lange Class: Grotesque : Amplitude Designer: Christian Schwartz Class: Humanist : Andalé Sans Designer: Steve Matteson Class: Humanist : Antique Olive ...
Rockwell, an example of a more geometric slab serif Clarendon, an example of a less geometric slab serif. Slab serif typefaces date to about 1817. [g] [60] Originally intended as attention-grabbing designs for posters, they have very thick serifs, which tend to be as thick as the vertical lines themselves.
This list of samples of serif typefaces details standard serif fonts used in printing, classical typesetting and printing. ... List of sans serif typefaces;
Sans-serif lettering and typefaces were popular due to their clarity and legibility at distance in advertising and display use, when printed very large or small. Because sans-serif type was often used for headings and commercial printing, many early sans-serif designs did not feature lower-case letters.
As an example, the first sans serif typefaces used strokes of constant thickness, but subsequent technological advances permit drawing thinner strokes. Condensed type occupies less space than expanded type, so that a whole page of text can be reduced to half a page. The capline and x-height ratio improve or decrease word legibility. [4]
For example, Johnston and Transport have a curl on the lower-case 'L' to distinguish it from an upper-case 'i'. [42] In German the term "Akzidenzschrift" is used for faces not intended for body text but for commercial or trade printing, without implying a specific size range, so including small-size sans-serifs in uses such as on forms or tickets.
Aptos, originally named Bierstadt, is a sans-serif typeface in the neo-grotesque style developed by Steve Matteson. [3] It was released in 2023 as the new default font for the Microsoft Office suite, replacing the previously used Calibri font.
The sans-serif realists have more constant line weight, while the sans-serif humanists have a varying line weight which harks back to Carolingian minuscule. So, very different typefaces may be described by the same term: for example, Times New Roman and DIN 1451 may both be described as realist or transitional.