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Scratchboard or scraperboard or scratch art [1] is a form of direct engraving where the artist scratches off dark ink to reveal a white or colored layer beneath. The technique uses sharp knives and tools for engraving into the scratchboard, which is usually cardboard covered in a thin layer of white China clay coated with black India ink .
Gothic châsse; 1185–1200; champlevé enamel over copper gilded; height: 17.7 cm (7.0 in), width: 17.4 cm (6.9 in), depth: 10.1 cm (4.0 in). Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F).
The oldest known use of fabrics as a painting support dates back to the Dynasty XII in Egypt (2000 BC).The continuous use can be traced in both Europe and Asia. In medieval Europe fabrics was overtaken by the wood panels for church use; Renaissance, with its wider spread of paintings, saw wide use of canvas, occasionally glued to the wood, a practice that originated in the Ancient Egypt, but ...
Due to the development of more fire-resistant gypsum board, it has decreased in popularity as a wall sheeting. Homasote is found in studio spaces and featured in many art institutions as a wall covering and doubling as a type of cork board. It often receives hundreds of coats of paint over the years due to the product's strength. [citation needed]
Masonite board Back side of a masonite board Isorel, c. 1920 Quartrboard, [1] Masonite Corporation, c. 1930. Masonite, also called Quartboard or pressboard, [2] is a type of engineered wood made of steam-cooked and pressure-molded wood or paper fibers. The fibers form a stiff, dense material in a range of weights. [3]
Flat: for spreading paint quickly and evenly over a surface. They will have longer hairs than their Bright counterpart. Bright: shorter than flats. Flat brushes with short stiff bristles, good for driving paint into the weave of a canvas in thinner paint applications, as well as thicker painting styles like impasto work.