Search results
Results From The WOW.Com Content Network
The policy of the Franco regime with regard to women was a huge setback for the Republic as it set out to impose the traditional Catholic family model based on the total subordination of the wife to her husband and reduce them back to the domestic sphere as it had been proclaimed in the Labor Charter of 1938 in order "to free the married woman ...
The 1960s would begin to see a change in major themes in women's writings, with women beginning to challenge their role in society and to argue more for women's rights. This represented both self-realization in women expressed in fiction and a begin to a return of Republican era thinking about women.
Explorations of women's roles in society began to appear in comics in the 1970s, while women also began to appear as more three dimensional people and less as pure sex objects. Women were often portrayed as chaste, saintly figures who submitted to male authority in government approved domestic films.
Francoist Spain was a quasi-fascist state whose ideology rejected what it considered the inorganic democracy of the Second Republic. It was an embrace of organic democracy, defined as a reassertion of traditional Spanish Roman Catholic values that served as a counterpoint to the Communism of the Soviet Union during the same period.
[7] [8] Questioning this role for women was tantamount to questioning the nature and rights of the state, and viewed as a subversive act. [7] In Francoist Spain, women were not endowed by God with business ingenuity, nor the capacity to be involved in war.
There was a sociological Francoism which existed before and still exists to a greater or lesser extent today, coupled with Francoist rhetoric in which only the best years – those of 1962 or 1963 and the first part of the 1970s – are remembered, omitting the years of misery and the economic recession that existed prior to the Spanish Civil ...
Women make up half of music festival attendees — and therefore, make these festivals a ton of money — so why aren’t the festivals catering their acts to female attendees? The root of the disconnect between the number of women on stage and the number of women in the crowd may lie partially in the male-dominated subcultures these festivals ...
[7] [63] [14] Glenys de Jesús said of Women's Link's need to file this, saying, "both for the crimes already reported within the cause and for which Women's Link adds now, apply a perspective that takes into account that violence that was used against women and men was direct, had a different impact, and a different meaning."