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This Could Be the Night is a 1957 American MGM comedy-drama film directed by Robert Wise and starring Jean Simmons and Paul Douglas. Anthony Franciosa made his debut in the film, which is based on the short stories by Cornelia Baird Gross .
"This Could Be the Night" was slated for release as MFQ's first single with the new lineup, but Spector became focused on Tina Turner and "River Deep – Mountain High" and "forgot all about the Modern Folk Quartet ". [10] Instead it was used as the theme to the rock concert film The Big TNT Show, the 1965 follow-up to the T.A.M.I. Show. [12]
This Could Be the Night may refer to: "This Could Be the Night" (1966 song), a 1966 song written by Harry Nilsson and Phil Spector "This Could Be the Night" (Loverboy song), a 1986 song by Loverboy; This Could Be the Night, a 1957 film directed by Robert Wise
This Could Be the Night" is a song written by Paul Dean, Mike Reno, Bill Wray and Jonathan Cain, and recorded by the Canadian rock band Loverboy from their hit album, Lovin' Every Minute of It, released in 1985.
Their biggest hit single was "Tonight (Could Be the Night)", which hit #26 on the Billboard Hot 100 chart in 1961. [1] The follow-up, "Laugh", peaked at #90, [ 1 ] and after a half-dozen further singles the group disbanded.
Lovin' Every Minute of It, the band's fourth album and first not produced by Fairbairn (it was produced by Tom Allom, best known for producing Judas Priest), was released in August 1985, with the title single written by Mutt Lange [6] and "This Could Be the Night" co-written by Journey's Jonathan Cain becoming their first and second U.S ...
Meanwhile, the song "This Could Be The Night" would get re-recorded in 1984 as part of his soundtrack album "Big Wave". In 2002, a remastered reissue (BVCR-17015) was released as part of The RCA/AIR Years 1976–1982 series. The reissue would include remastered tracks and three additional tracks that were previously unreleased before.
Recording sessions at Gold Star Studios followed where they recorded "This Could Be the Night", cowritten by Spector and Harry Nilsson. The song bore Spector's Wall-of-Sound used on Beach Boys recordings, rather than a folk rock sound reminiscent of the Byrds with Terry Melcher. [12]