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The Blue Room. The Blue Room (La chambre bleue) is a 1923 painting by French artist Suzanne Valadon. One of her most recognizable works, it has been called a radical subversion of representation of women in art. [1] Like many of Valadon's later works, it uses strong colors and emphasizes decorative backgrounds and patterned materials. [2]
A neo-rococo decor boudoir in Nieborów Palace, Poland. A boudoir (/ buːˈdwɑːr /; French: [bu.dwaʁ]) is a woman's private sitting room or salon in a furnished residence, usually between the dining room and the bedroom, but can also refer to a woman's private bedroom. The term derives from the French verb bouder (to sulk or pout) or ...
Picture for Women is a photographic work by Canadian artist Jeff Wall. Produced in 1979, Picture for Women is a key early work in Wall's career and exemplifies a number of conceptual, material and visual concerns found in his art throughout the 1980s and 1990s. An influential photographic work, Picture for Women is a response to Édouard Manet ...
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman semi-reclining on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
Bedroom in Arles (French: La Chambre à Arles; Dutch: Slaapkamer te Arles) is the title given to three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh. Van Gogh's own title for this composition was simply The Bedroom (French: La Chambre à coucher). There are three authentic versions described in his letters ...