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The uchiginu: a scarlet beaten silk robe worn as a stiffener and support for the outer robes. The uwagi: a patterned and decorated silk robe, typically with woven decoration, both shorter and narrower than the uchiginu. The colour and fabric used for the uwagi indicate the rank of the wearer. The karaginu: a waist-length Chinese style jacket.
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
Originating in the Heian period as an undergarment for both men and women, the kosode was a plain white garment, typically made of silk, worn directly next to the skin.Both men and women wore layered, wrap-fronted, wide-sleeved robes on top of the kosode, with the style of layering worn by women of the Imperial Japanese court – known as the jūnihitoe, literally "twelve layers" – featuring ...
Most women's obi no longer keep the kimono closed, owing to their stiffness and width, and a number of ties worn under the obi keep the kimono in place. A woman's formal obi can be 30 centimetres (12 in) wide and more than 4 metres (13 ft) long, with the longest variety – the darari obi , nearing 6 metres (20 ft) in length – worn only by ...
Since at least the early Middle Ages, robes have been worn as a sign of nobility.At first, these seem to have been bestowed on individuals by the monarch or feudal lord as a sign of special recognition; but in the 15th century the use of robes became formalised, with peers all wearing robes of the same design, though varied according to the rank of the wearer.
A miko (), or shrine maiden, [1] [2] is a young priestess [3] who works at a Shinto shrine. Miko were once likely seen as shamans, [4] but are understood in modern Japanese culture to be an institutionalized [5] role in daily life, trained to perform tasks, ranging from sacred cleansing [4] to performing the sacred Kagura dance.
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