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The contrasting geology of the north and south led to differences in the raw materials available for making ceramics; in particular the north lacks petunse or "porcelain stone", needed for porcelain on the strict definition. Ware-types can be from very widespread kiln-sites in either north or south China, but the two can nearly always be ...
A Peking glass vase with lotus pattern from the Daoguang period. The color is named "Imperial Yellow" in reference to the banner of the Qing dynasty.. Peking glass, also known as Kangxi Glass, Qianlong Glass or Tao Liao Ping, [clarification needed] is a form of Chinese glassware that originated in 18th century Beijing, China (then romanized as "Peking" in European writings).
Candle moulding machine in Indonesia circa 1920. Candle making was developed independently in a number of countries around the world. [1]Candles were primarily made from tallow and beeswax in Europe from the Roman period until the modern era, when spermaceti (from sperm whales) was used in the 18th and 19th centuries, [2] and purified animal fats and paraffin wax since the 19th century. [1]
Copper-red saucer-dish with the reign mark of Zhengde (1506–1521) The Ming dynasty is normally dated as beginning in 1368, but there was a long revolt against the Yuan dynasty, and Jingdezhen was lost by them in 1352. [12] By 1402 there were twelve imperial kilns at Jingdezhen, then one of three areas with imperial kilns.
Jingdezhen dish of typical shape. Width: 18 5/8 in. (47.3 cm). For profile view see below. Kraak ware or Kraak porcelain (Dutch Kraakporselein) is a type of Chinese export porcelain produced mainly in the late Ming dynasty, in the Wanli reign (1573–1620), but also in the Tianqi (1620–1627) and the Chongzhen (1627–1644). [1]
Candle toppers are cute, open metal lids that often have intricate designs. Like the aluminum foil, they help keep the flames protected from wind and drafts so the wax can melt evenly.