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Noise can be an annoyance that creates fatigue and negatively affects productivity, safety and the ability to communicate. Therefore, standard methodologies for quantifying noise have been developed. Noise curves reflect different standardized means of creating a single number rating for the background noise spectrum in a space.
A major use of noise weighting is in the measurement of residual noise in audio equipment, usually present as hiss or hum in quiet moments of programme material. The purpose of weighting here is to emphasise the parts of the audible spectrum that ears perceive most readily, and attenuate the parts that contribute less to perception of loudness, in order to get a measured figure that correlates ...
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Psychoacoustics is the branch of psychophysics involving the scientific study of the perception of sound by the human auditory system.It is the branch of science studying the psychological responses associated with sound including noise, speech, and music.
For example, aging typically leads to hearing thresholds which get poorer as test frequencies get higher. [10] Noise induced hearing loss is typically characterized by a "notch" in the audiogram, with the poorest threshold occurring between 3000 and 6000 Hz (most often 4000 Hz) and better thresholds at lower and higher frequencies. [11]
The first research on the topic of how the ear hears different frequencies at different levels was conducted by Fletcher and Munson in 1933. Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though a re-determination was carried out by Robinson and Dadson in 1956, which became the basis for an ISO 226 standard.
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The phonemic restoration effect is the brain's way of resolving those imperfections in our speech. Without this effect interfering with our language processing, there would be a greater need for much more accurate speech signals and human speech could require much more precision. For experiments, white noise is necessary because it takes the ...