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The Venus de Milo or Aphrodite of Melos [b] is an ancient Greek marble sculpture that was created during the Hellenistic period. Dated around the 2nd century BC, perhaps between 160 and 110 BC, it was rediscovered in 1820 on the island of Milos, Greece, and has been displayed at the Louvre Museum since 1821.
The statue was set up in Julius Caesar's new forum, probably as the cult statue in the cella of his temple of Venus Genetrix. [3] Through this historical chance, a Roman designation is applied to an iconological type of Aphrodite that originated among the Greeks .
Venus was the divine ancestor of the gens Julia; Arles, which had backed Caesar when Massilia backed Pompey was rewarded in numerous ways. A semi-nude heroic statue of Augustus was the dominating figure in the sculptural program of the Arles theatre. [5] The Venus was found in 1651, by workmen who were digging a well. The head appeared first ...
The Venus de Milo was added to the Louvre's collection during the reign of Louis XVIII. For most of the 19th century, from Napoleon's time to the Second Empire, the Louvre and other national museums were managed under the monarch's civil list and thus depended much on the ruler's personal involvement.
The Capitoline Venus is a slightly over lifesize [1] marble statue of Venus. It is an Antonine copy of a late Hellenistic sculpture that ultimately derives from Praxiteles (Helbig 1972:128–30). It was found on the Viminal Hill during the pontificate of Clement X (1670–76) in the gardens belonging to the Stazi near San Vitale. [ 2 ]
The following is a very incomplete list of notable works in the collections of the Musée du Louvre in Paris. For a list of works based on 5,500 paintings catalogued in the Joconde database, see the Catalog of paintings in the Louvre Museum.
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