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The depiction contains the message "Jesus I trust in you" (Polish: Jezu ufam Tobie). The rays that stream out have symbolic meanings: red for the blood of Jesus, and pale for the water (which justifies souls). The whole image is a symbol of charity, forgiveness and love of God, referred to as the "Fountain of Mercy". According to Kowalska's ...
The main light source is not evident in the painting but comes from the upper left; the lesser light source is the lantern held by the man at the right (believed to be a self-portrait of Caravaggio; also, presumably, representing St Peter, who would first betray Jesus by denying him, and then go on to bring the light of Christ to the world). At ...
Two of the works in Munich, the Last Supper and the Crucifixion. The Life of Christ is a series of seven paintings in tempera and gold on panel, attributed to Giotto and dating to around 1320–1325.
Jesus' body is a picture of classical nobility; with arms raised and gaze turned upward, Rubens emphasizes Christ's willing sacrifice over the horrors of his crucifixion. [4] Christ looks up and asks his Father, who was depicted above the triptych, for forgiveness for his tormentors: "Father, forgive them, they know not what they do." (Luke 23: ...
For Adam Clarke, there are three miracles of Jesus in this passage: the forgiveness of sins, the discernment of the private thoughts of the scribes, and the cure of the paralytic. [7] According to John Gill , the fact that Jesus knew people's thoughts was sufficient demonstration of his Messiahship, according to the teaching of the Jews.
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
Earlier this year a picture re-emerged that showed what Jesus might have looked like as a kid. Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from ...
Jesus and the woman taken in adultery (or the Pericope Adulterae) [a] is considered by many to be a pseudepigraphical [1] [2]: 489 passage found in John 7:53–8:11 [3] of the New Testament. In the passage, Jesus was teaching in the Temple after coming from the Mount of Olives .