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Dido's Lament ("When I am laid in earth") is the closing aria from the opera Dido and Aeneas by Henry Purcell to a libretto by Nahum Tate. Dido's Lament chromatic fourth ground bass, measures 1–6 [ 1 ]
After Dido forces Aeneas to leave, she states that "Death must come when he is gone." The opera and Dido's life both slowly come to a conclusion, as the Queen of Carthage sings her last aria, "When I am laid in Earth", also known as "Dido's Lament." The chorus and orchestra then conclude the opera once Dido is dead by ordering the "cupids to ...
He found flaws in nearly every recording, but also particular assets, e.g. Roy Henderson in the 1935 recording, Isobel Baillie in 1945, the conducting of Geraint Jones in 1951, several aspects of Lewis's 1961 recording, Peter Glossop in 1965, Mackerras' theatrical instinct in 1967, and Colin Davis' "immense vitality and musicianship" in 1970 ...
Dido's Lament: When I Am Laid in Earth: 2004 Voice: Henry Purcell: Dig a Hole 1990 Demo, released on Hoodoo 2016 deluxe edition Moyet, Dix Do You Ever Wonder: 2002 Hometime: Carlton McCarthy Don't Burn Down the Bridge 1984 B-side of "That Ole Devil Called Love" Ronnie Miller Dorothy 1994 Essex: Moyet, Glenister The English U 2017 Other
A version of "Dendrils of Death" has been recorded by Buckley's old bassist, Mick Grondahl, and his band Tongue. [35] Certain live performances by Buckley have specifically been held in high regard. "Dido's Lament", an aria from Dido and Æneas by Henry Purcell, was performed live at the Meltdown festival in 1995, directed by Elvis Costello.
Sean "Diddy" Combs poses with the Global Icon Award at the 2023 MTV Video Music Awards at the Prudential Center in Newark, New Jersey, on Sept. 12, 2023.
He recorded an album with violinist Zoë Black in 2012. It was followed by Dido's Lament and The New Goldberg Variations.In 2014, Chindamo's string quartet Tempesta was commissioned and performed by the Acacia Quartet and by the Australian String Quartet on their national tour in 2016.
[12] See also: Lament bass. However, this is not the only ostinato pattern that Purcell uses in the opera. Dido's opening aria "Ah, Belinda" is a further demonstration of Purcell's technical mastery: the phrases of the vocal line do not always coincide with the four-bar ground: Dido's opening aria "Ah! Belinda"