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Dido and Aeneas (Z. 626) [1] is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain.
Henry Purcell (/ ˈ p ɜːr s əl /, rare: / p ər ˈ s ɛ l /; [n 1] c. 10 September 1659 [n 2] – 21 November 1695) was an English composer of Baroque music, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas; and his incidental music to a version of Shakespeare's A Midsummer Night's Dream called The Fairy Queen.
The final scene in Metastasio's libretto, Didone Abandonata, by Cecilio Rizzardini Didone abbandonata (Dido Abandoned) is an opera in three acts composed by Domenico Sarro to a libretto by Pietro Metastasio of the same name which was based on the story of Dido and Aeneas from the fourth book of Virgil's Aeneid.
Lea Desandre performs "Dido's Lament" with Les Arts Florissants in 2020. Dido's Lament ("When I am laid in earth") is the closing aria from the opera Dido and Aeneas by Henry Purcell to a libretto by Nahum Tate. Dido's Lament chromatic fourth ground bass, measures 1–6 [1]
Dido and Aeneas: Hampstead Conservatoire, London 1900 (17 May 18, 19) Dido and Aeneas † The Masque of Love: Coronet Theatre, London 1901 (26 March 27, 28, 30 + one matinee) The Masque of Love Acis and Galatea: Great Queen Street Theatre, London 1902 (10 March, with five more evening performances + one matinee) Harvest Home, a masque: unperformed
He found flaws in nearly every recording, but also particular assets, e.g. Roy Henderson in the 1935 recording, Isobel Baillie in 1945, the conducting of Geraint Jones in 1951, several aspects of Lewis's 1961 recording, Peter Glossop in 1965, Mackerras' theatrical instinct in 1967, and Colin Davis' "immense vitality and musicianship" in 1970 ...
Dido’s love for Aeneas, of course, ends tragically, with Dido killing herself after her beloved abandons her to fulfill his destiny as the founder of Rome. Michael, the default English ...
His only stage composition, Venus and Adonis (ca. 1680–1687), is thought to have influenced Henry Purcell's later opera Dido and Aeneas. In 1687, he became choirmaster at St Paul's Cathedral, where many of his pieces were performed. In 1699 he was appointed to the newly created post of Composer to the Chapel Royal.