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Makoto Iwamatsu (岩松 信, Iwamatsu Makoto, December 10, 1933 – July 21, 2006) was a Japanese-American actor, credited mononymously in almost all of his acting roles as simply Mako (マコ). His career in film, on television, and on stage spanned 5 decades and 165 productions. He was an Academy Award, Golden Globe Award and Tony Award nominee
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Greg Baldwin is an American voice actor. He is best known for his roles as Frank Fontaine in BioShock, Uncle Iroh on the third season of Avatar: The Last Airbender and Aku on the fifth season of Samurai Jack, with the latter two as a voice match for the late Mako Iwamatsu.
Child actor Film missing, rediscovered in 2016, when a full copy was released onto YouTube [1] The Birth of Yue Fei: 岳飛出世: Child actor The Princess and the Seven Little Heroes: 公主與七小俠: Child actor Little Dragon Girl Teases White Snake Spirit: 小龍女三戯白蛇精: Child actor 1963: Father and Son: 人之初: Child actor ...
Makoto Majima; Main character and primary protagonist of I.W.G.P., Makoto is a 20-year-old former waru without an obvious direction in his life at the start of the series. He commonly complains that things are "mendokusai" (bothersome). He earns spending money through petty theft and by hustling people at the bowling alley where he, Masa, and ...
Lead actor Jeff Speakman was a student of and was advised closely by Ed Parker in the making of this film, and the character Master Lo (played by Seth Sakai) is modeled on Parker. [5] [6] [7] Parker offered to play the role himself, but the producers didn't believe he was a strong enough actor. Rick Avery was the film's fight choreographer.
Mako Ballistics, a fictional weapons manufacturer in the video game Deus Ex: Invisible War; Mako, a companion character from Star Wars: The Old Republic; Mako Spince, a minor character introduced in Star Wars: Dark Empire; Mako, a villain from the Savage Dragon comic book; Mako Hooker, the main character from Something's Down There by Mickey ...
It was named the fourth best film of 2021 in the New Yorker Magazine, where film critic Richard Brody called it "one of the great films about death." [ 10 ] Roxana Hadadi wrote on RogerEbert.com that the film is a "100-minute spell of beauty and melancholy, intimate and grand in equal measure", [ 11 ] while David Ehrlich of IndieWire called it ...