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There are five major types of sensory imagery, each corresponding to a sense, feeling, action, or reaction: Visual imagery pertains to graphics, visual scenes, pictures, or the sense of sight. Auditory imagery pertains to sounds, noises, music, or the sense of hearing. (This kind of imagery may come in the form of onomatopoeia).
The expatriate American poet Ezra Pound in 1913; Pound collected poems from eleven poets in his first anthology of Imagist poetry, Des Imagistes, published in 1914.. Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language.
The poems in this section predominantly discuss Lorde's experiences as both a wife and a mother. In the poem "A Child Shall Lead" Lorde uses sensory imagery to express her concerns about her son and what will become of him in the future. Another poem "Paperweight" describes her frustrations with her heterosexual marriage.
The poetic devices and rich imagery used by MacLeish help make clear the theme(s) of the work. The most central theme to “Ars Poetica” is the goal of a poem, which MacLeish identifies as captivating a reader in the same way a painting or sculpture captures audiences. However, a poem's purpose is not the only theme touched on in the work.
(Wall poem in The Hague) "This Is Just to Say" (1934) is an imagist poem [1] by William Carlos Williams. The three-versed, 28-word poem is an apology about eating the reader's plums. The poem was written as if it were a note left on a kitchen table. It has been widely pastiched. [2] [3]
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...
It has been suggested that, in the tradition of Romantic poetry, the sensory transfer consisting in the synaesthesic metaphor tends to be from a lower (less differentiated) sense to a higher sense. In this respect, the sequence of senses from low to high is generally taken to be touch, taste, smell, sound, then sight. [4]
An ideophone is "a member of an open lexical class of marked words that depict sensory imagery". [4] Unlike onomatopoeia, an ideophone refers to words that depict any sensory domain, such as vision or touch. Examples are Korean mallang-mallang 말랑말랑 'soft' and Japanese kira-kira キラキラ 'shiny'.