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Many artists have written songs about child abuse, which includes emotional, physical, and sexual abuse. [1. 25 Years", by Pantera [2]
This is a list of songs that involve child abuse, or child abandonment. See also the categories Songs about domestic violence , Songs about bullying , and Songs about pedophilia Subcategories
"Candyman" is a song written and produced by British rock band Siouxsie and the Banshees. It was released as the second single from their seventh studio album, Tinderbox. The song is about child abuse. [1] Musically, it is a guitar-based number with distinctive use of arpeggios by John Valentine Carruthers. [2]
The song is a power ballad, centering on a main theme of child abuse. The narrator tells a story about a little girl who endures severe abuse. The abuse is silently questioned by her teachers and neighbors, but goes unreported. By the song's end, the girl dies and goes on to an afterlife where "she is loved" more than she was on earth.
The song deals with the issue of child abuse.On a 1987 Swedish television special, Vega revealed her inspiration for Luka: A few years ago, I used to see this group of children playing in front of my building, and there was one of them, whose name was Luka, who seemed a little bit distinctive from the other children.
On the radio station 93.7 The Bull, located in St. Louis, Missouri, a trucker called in, and he said he had just listened to the song, and his eyes had become so filled with tears that he almost veered off of the road. [2] The song has received much attention for its message in the severity and prevalence of child abuse.
Jonathan Davis has stated that the song is about a painful and tragic experience of being molested as a child and not being believed. [1] However, he denied it was about physical or sexual abuse at the hands of his father, and the title and some concepts within the song stem from his parents not believing him. The song caused many to assume ...
All three songs are from the Bastards album. The song is about child sexual abuse , and was one of Lemmy's favourites. Written three years before being recorded, Lemmy offered it to Lita Ford and Joan Jett , among others and although much enthusiasm was received, he ended up recording it himself.