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The laurel wreaths of a triumphator were often worn by imperial portraits, as were radiate crowns. [21] According to Pliny the Elder, the Arval Brethren, an ancient Roman priesthood, were accustomed to wear a wreath of grain sheaves. [22] Crowns and wreaths were associated by early Christians with Roman paganism and Hellenistic religion. [21]
Whereas ancient laurel wreaths are most often depicted as a horseshoe shape, modern versions are usually complete rings. [citation needed] In common modern idiomatic usage, a laurel wreath or "crown" refers to a victory. The expression "resting on one's laurels" refers to someone relying entirely on long-past successes for continued fame or ...
A wreath worn for purpose of attire (in English, a "chaplet"; [1] Ancient Greek: στέφανος, romanized: stéfanos, Latin: corona), [2] is a headdress or headband made of leaves, grasses, flowers or branches. It is typically worn on celebrations, festive occasions and holy days, having a long history and association with ancient pageants ...
The highest and rarest of all military decorations in the Roman Republic and early Roman Empire was the Grass Crown (Latin: corona graminea) . [8] It was presented only to a general, commander, or officer whose actions saved a legion or the entire army. Examples of this would be a general who broke the blockade around beleaguered Roman troops.
The crown, inspired by the laurel wreath worn by Roman emperor Julius Caesar, contained more than fifty leaves and was melted down in 1819. "This small leaf represents the grandeur of the story of ...
Bronze monument to Francis II, the last Holy Roman emperor, wearing a corona triumphalis and toga. The honours included the right to wear triumphal dress in public: the corona triumphalis (a gold coronet fashioned in the shape of a laurel wreath with dangling gold ribbons); an ivory baton; the tunica palmata (a tunic embroidered with palm-leaves); and the toga picta ("painted toga"), a toga ...
The mural crown became an ancient Roman military decoration. The corona muralis (Latin for "walled crown") was a golden crown, or a circle of gold intended to resemble a battlement, bestowed upon the soldier who first climbed the wall of a besieged city or fortress to successfully place the standard (flag) of the attacking army upon it.
The Crown of Immortality, held by the allegorical figure Eterna (Eternity) on the Swedish House of Knights fresco by David Klöcker Ehrenstrahl. The Crown of Immortality is a literary and religious metaphor traditionally represented in art first as a laurel wreath and later as a symbolic circle of stars (often a crown, tiara, halo or aureola).