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A story arc (also narrative arc) is the chronological construction of a plot in a novel or story. It can also mean an extended or continuing storyline in episodic storytelling media such as television , comic books , comic strips , board games , video games , and films with each episode following a dramatic arc . [ 1 ]
The three-act structure is a model used in narrative fiction that divides a story into three parts , often called the Setup, the Confrontation, and the Resolution. It has been described in different ways by Aelius Donatus in the fourth century A.D. and by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting .
The story itself is considered a performance so there is a synergy among the aforementioned elements. [1] In the story, the narrator may draw attention to the narrative or to himself as storyteller. [2] The structure often includes the following: Tell riddles to test the audience. Audience becomes a chorus and comments on the story.
Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2] Story structures can vary culture to culture and throughout history. The same named story structure may also change over time as the culture also changes.
When cutting from the green arc to the red arc, the characters switch places on the screen. In filmmaking , the 180-degree rule [ 1 ] is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene.
Plot – events that make up a story, particularly: as they relate to one another in a pattern or in a sequence; as they relate to each other through cause and effect; how the reader views the story; or simply by coincidence. Subplot – secondary strand of the plot that is a supporting side story for any story or the main plot. Subplots may ...
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The key thesis of the book: "However many characters may appear in a story, its real concern is with just one: its hero. It is the one whose fate we identify with, as we see them gradually developing towards that state of self-realization which marks the end of the story.