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Adras is a natural handmade fabric that consists of 50 percent silk fibers and 50 percent cotton.Adras is traditionally woven in Uzbekistan and Tajikistan. In Uzbekistan, this fabric is also called “Podshohi” (royal), indicating its exceptional value associated with an elaborate and costly manufacturing process as well as a rich and sophisticated appearance.
Etles or Etles silk (Uyghur: ئەتلەس, Етлес, romanized: Etles, Chinese: 艾德莱斯绸; pinyin: Ài dé lái sī chóu) is a type of silk ikat fabric traditionally made by the Uyghur and Uzbek peoples. Traditionally used for men's and women's clothing, in the modern day, Etles's unique patterns are no longer limited to application in ...
Download as PDF; Printable version; In other projects ... Fabrics in this list include fabrics that are woven, ... This page was last edited on 4 March 2025, ...
William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop and designed dozens of patterns for hand-produced ...
Download as PDF; Printable version; ... Pages in category "Textile patterns" The following 31 pages are in this category, out of 31 total. ... Animal print; Argyle ...
Three patterns for pants (2022) Pattern making is taught on a scale of 1:4, to conserve paper. Storage of patterns Fitting a nettle/canvas-fabric on a dress form. In sewing and fashion design, a pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled.
Paper was cut into shapes and used as a pattern; each individual piece of cut fabric was basted around the paper pattern. Paper was a scarce commodity in the early American west so women would save letters from home, postcards, newspaper clippings, and catalogs to use as patterns. The paper not only served as a pattern but as an insulator.
Humanity and life lie at the intersection of the natural and the supernatural, according to the underlying Kuba myth. As a result, rectilinear lines in Kuba art depict natural patterns. Both in art and nature, these lines occasionally disrupt what we take to be geometric order. [5] The improvised patterns are mostly made using three methods: