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The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598.A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
Shakespeare's problem plays eschew the traditional trappings of both comedy and tragedy, and are sometimes cited as early predecessors to the tragicomedy. the term "problem play" was originally used to refer exclusively to three plays that Shakespeare wrote between the late 1590s and the first years of the seventeenth century: All's Well That ...
Shylock (/ ʃ aɪ ˈ l ɒ k /) is a fictional character in William Shakespeare's play The Merchant of Venice (c. 1600). A Venetian Jewish moneylender, Shylock is the play's principal villain. His defeat and forced conversion to Christianity form the climax of the story.
"Deconstructing the Christian Merchant: Antonio and The Merchant of Venice." Shofar 20.2 (2002) Schneiderman, Jason (2014). "Four Poems". The American Poetry Review. 43 (1): 14– 15. ISSN 0360-3709. JSTOR 24592298. Shakespeare, William, and Kenneth Myrick. The Merchant of Venice with New and Updated Critical Essays and a Revised Bibliography ...
Some critics include other plays that were not enumerated by Boas, most commonly The Winter's Tale, Timon of Athens, and The Merchant of Venice. [1] The term has been variously applied to other odd plays from different points in Shakespeare's career, as the notion of a problem play remains somewhat vaguely defined, and its use as a ...
The Merchant is a 1976 play in two acts [1] by the English dramatist Arnold Wesker. It is based on William Shakespeare's The Merchant of Venice, and focuses on the Jewish Shylock character, that play's principal antagonist. [2] [3] Wesker began writing the play after seeing a 1973 performance by Laurence Olivier. [2]
In Il Pecorone, there is a similar plot to the ring plot in the Merchant of Venice, but it only exists between one pair, instead of the two couples in the Merchant of Venice. Additionally, the character that is the Bassanio equivalent does not try to apologize for giving away the ring in Il Pecorone , and those that are involved in the ring ...
Opposing this view is Robert Hapgood in "Portia and The Merchant of Venice: The Gentle Bond" (1967) and Corinne S. Abate in "Nerissa Teaches Me What to Believe: Portia's Wifely Empowerment in The Merchant of Venice" (2002). [6] Despite her lack of formal legal training, Portia wins her case by referring to the exact language of the law.