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This article about a punk rock album from the 2000s is a stub. You can help Wikipedia by expanding it.
Epitaph Records is an American independent record label owned by Bad Religion guitarist Brett Gurewitz. A large portion of the record label, known as Hellcat Records , is owned by Tim Armstrong , frontman of the punk rock band Rancid .
Epitaph is a German rock band, formed in Dortmund in 1969. Playing initially what Allmusic described as "post-psych progressive rock, spiced with occasional jazz accents and widespread twin-guitar harmonies," [1] in 1973 they started shifting towards more straightforward hard rock (later heavy metal) stylings and, having released six studio albums, disbanded in 1982.
The customer will have the copy of the song permanently on their disk, provided the track is not deleted by the customer, the disk does not get physically damaged, or suffers from being corrupted. Major examples of digital music stores include iTunes Store, Amazon Music, Bandcamp and 7digital. [1]
The European version does not contain music by Millencolin, The (International) Noise Conspiracy, Refused, Bombshell Rocks, Satanic Surfers, or The Hives, and does contain music by Guy Smiley, Terrorgruppe, Burning Heads, I Against I, Heideroosjes, and Zen Guerilla. E-86589 Guttermouth: Covered With Ants: 2001 LP, CD E-86590 Death by Stereo
Matt Mehana and Nabil Moo performed previously in a local band named We Are the Cavalry. After the band disbanded, Mehana and Moo began creating songs under the name I Set My Friends on Fire. Some assumed that the new name was derived from the Aiden song of the same title. However, the group explained they were unaware of this at the time.
Epitaph chose to change the name of the compilation series because the name "Punk-O-Rama", especially in its later releases, no longer reflected the wide range of music released on the compilations. Unsound is similar to the last two entries in the Punk-O-Rama series in that it is a two-disc set with a CD and a DVD , which contains music videos ...
[3] [4] As with the album's first track, "21st Century Schizoid Man", the song's lyrics have a distinctly dystopian feel to them and are presented as a protest to the Cold War. [3] [5] The song's title was used as the name for a live album of recordings done by the original King Crimson, Epitaph. [6] Epitaph Records also took its name from the ...