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In fact, J. C. Denner may have built no clarinets at all. Only one extant clarinet, owned by the University of California, Berkeley has been attributed to him, and this attribution has been challenged. [6] [7] [8] Another instrument possibly made by Denner was destroyed in World War II. [2] The earliest known reference to the clarinet is an ...
Ebenezer Prout: Clarinet Sonata, Op. 26 (1882) [3] Felix Draeseke: Clarinet Sonata (1887), which also can be played by a violin; Samuel Coleridge-Taylor: Clarinet Sonata (c1893) [4] Josef Rheinberger:Clarinet Sonata, Op. 105a (1893) Johannes Brahms: Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata ...
Donald Francis Tovey – Clarinet Sonata in B-flat major, Op. 16 (1906) [7] Charles Villiers Stanford – Clarinet Sonata, Op.129 (1911) [8] William Henry Bell – Clarinet Sonata in D minor (1926) [5] George Frederick Linstead – Clarinet Sonata (1932?) [5] Arnold Bax – Clarinet Sonata in D major (1934) [6] Mary Lucas – Clarinet Sonata ...
The surviving chalumeaux were made between the beginning of the eighteenth century and about 1760 by five known instrument makers including J.C. Denner, W. Kress, Liebau, Klenig, and Muller. [4] Of these instruments, there is one soprano and one bass chalumeau, several tenor and alto chalumeaux, and one rare chalumeau d’amour.
Jacob Denner (1681 – 1735) was a woodwind instrument maker of Nuremberg. He was the son of Johann Christoph Denner , improver of the chalumeau and credited with the invention of the clarinet . Jacob is also well known for his recorders [ 1 ] which have become the model for many modern instruments. [ 2 ]
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The Clarinet Sonata in E ♭ major, Op. 167, was written by Camille Saint-Saëns in 1921 as one of his last works. This clarinet sonata is the second of the three sonatas that Saint-Saëns composed for wind instruments , the other two being the Oboe Sonata (Op. 166) and the Bassoon Sonata (Op. 168), written the same year.
The sonata for cello and piano, L. 135, was written in 1915, and is notable for its brevity, most performances not exceeding 11 minutes. It is a staple of the modern cello repertoire and is commonly regarded as one of the finest masterpieces written for the instrument.