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Sergei Prokofiev's Piano Sonata No. 10 in E minor, Op. 137 (1952) (unfinished) is a sonata composed for solo piano. [1] Movements.
Wolfgang Amadeus Mozart's Piano Sonata No. 10 in C major, K. 330 / 300h, is one of the three works in the cycle of piano sonatas K.330-331-332. The sonata was composed in 1783, when Mozart was 27 years old. It was published, with the other two sonatas by Artaria in 1784. A typical performance of this sonata lasts around twenty minutes.
Piano Sonata No. 10 (Prokofiev) This page was last edited on 11 March 2024, at 01:10 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4. ...
Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Liszt, Scriabin, Medtner, Berg), others with two movements (Haydn, Beethoven), some contain five (Brahms' Third Piano Sonata, Czerny's Piano Sonata No. 1, Godowsky's Piano Sonata) or even more movements.
Piano Sonata No. 6 in D major, K. 284 (Munich, February–March 1775) Piano Sonata No. 7 in C major, K. 309 (Mannheim, Nov. 8 1777) Piano Sonata No. 8 in A minor, K. 310 (Paris, Summer 1778) Piano Sonata No. 9 in D major, K. 311 (Mannheim, November–December 1777) Piano Sonata No. 10 in C major, K. 330 (Vienna or Salzburg, 1783)
Piano Sonata by Béla Bartók, in the third movement. [52] Piano Sonata no. 2 by Roger Sessions, at measure 178. [53] Piano Sonata No. 3 by Carlos Chávez, in six bars of the first movement. [54] The first version of Piano Sonata No. 5 by Sergei Prokofiev, for one measure in the third movement. [55] Pli selon pli by Pierre Boulez, in all ...
Piano Sonata No. 10 may refer to: Piano Sonata No. 10 (Beethoven), by Ludwig van Beethoven; ... (Prokofiev), by Sergei Prokofiev This page was last edited on 29 ...
The closing movement is a headlong rondo. The middle section recalls the opening motto from the first movement, albeit with the first note missing. [2] In the extremely virtuosic coda, the motto, transformed and abbreviated, is hammered out violently amid swirls of harried notes, and then played in full in rapid, stammering descending chords ...