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Aardvark'd: 12 Weeks with Geeks is a 2005 documentary film about the development of Fog Creek Copilot, a remote assistance software tool. Conceptualization of the film began when Fog Creek Software CEO Joel Spolsky announced on his blog that he was seeking a filmmaker to document the development of the product, then called Project Aardvark. [1] [2]
The Beatles demanded a lot from the studio; Lennon allegedly wanted to know why the bass on a certain Wilson Pickett record far exceeded the bass on any Beatles records. This prompted EMI engineer Geoff Emerick to try new techniques for "Paperback Writer". He explains that the song "was the first time the bass sound had been heard in all its ...
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The result was the 3M Digital Audio Mastering System, which consisted of a 32-track deck (16-bit, 50 kHz audio) running 1-inch tape and a 4-track, 1/2-inch mastering recorder. 3M's 32-track recorder was priced at $115,000 in 1978 (equivalent to $537,000 in 2023).
He missed Week 14 while backup Zach Charbonnet racked up 193 total yards and two scores. Charbonnet would be a top-15 start with Walker out. Charbonnet would be a top-15 start with Walker out.
AAD is the SPARS code (highlighted in red) on Madonna's 1990 album, The Immaculate Collection. The SPARS code is a three-position alphabetic classification system developed in the early 1980s by the Society of Professional Audio Recording Services (SPARS) for commercial compact disc releases to denote aspects of the sound recording and reproduction process, distinguishing between the use of ...
Masterdisk was founded in 1973 as a spin-off of the recording, editing and mastering arm of Mercury Records. Among the company's early mastering engineers were Gilbert Kong, who worked on early 1970s albums by such artists as Rod Stewart and Bachman–Turner Overdrive, and who also mastered singles, including "Ain't Understanding Mellow" by ...
Fulginiti began working in 1969 as a mailroom clerk at Elektra Records, and he advanced to assistant engineer with the 1970 Judy Collins album Whales & Nightingales. He shifted in 1971 to work at Sterling Sound in New York City as a mastering engineer.