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Political music in China (政治歌曲) consists of Patriotic Music (爱国歌曲) and Revolutionary Music (革命歌曲). It is an ideological music with political or nationalistic content, sometimes taking the form of a modernized Chinese traditional music written or adapted for some form of grand presentation with an orchestra.
During the era of the Chinese Exclusion Act, people of Chinese heritage were barred from holding American citizenship status.For example, despite being a third-generation American born in the United States, actress Anna May Wong held a special "Certificate of Identity" issued by the US government and signed by an immigration officer describing her as a "Chinese person". [10]
During the republican era, Chinese economy was mostly agricultural. In 1933, it was estimated at 65 percent of the total net domestic product. This output, whose sectors were plant, animal, Forest, Fishery and Miscellaneous products, was supposed to be produced by 205 million agricultural workers, which counted 79 percent of the labor force.
The connection between music and politics has been seen in many cultures. People in the past and present – especially politicians, politically-engaged musicians and listeners – hold that music can 'express' political ideas and ideologies, such as rejection of the establishment ('anti-establishment') or protest against state or private actions, including war through anti-war songs, but also ...
The Republic of China's first president, Sun Yat-sen, chose Zhōnghuá Mínguó (中華民國; 'Chinese People's State') as the country's official Chinese name.The name was derived from the language of the Tongmenghui's 1905 party manifesto, which proclaimed that the four goals of the Chinese revolution were "to expel the Manchu rulers, revive China (), establish a people's state (mínguó ...
The Age of Openness: China Before Mao is a 2008 book by historian Frank Dikötter. It provides an account of the history of the Republic of China, spanning from the early 20th century to the Chinese Communist Party takeover in 1949. Dikötter describes a period of unprecedented openness during which China was actively pursuing engagement with ...
Following the formation of the People's Republic of China (PRC), the Chinese government and musical artists were consistently in line with one another; with the government specifically calling for the production of socialist propaganda and artists responding by creating music praising the revolutionary spirit of the time period and professing their hopes for the future. [2]
An unfinished Republican-era manuscript had been assembled during the 1920s, but the effort that began in 2002 has since dwarfed every comparable effort in both length and organizational scale. The project has involved the work of hundreds of scholars and specialists under the supervision of the National Qing History Compilation Committee ...