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Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Medieval ( c. 500 – c. 1400 ) – Period characterized by the development of early music notation systems and a strong emphasis on vocal music.
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
Date ranges of classical music eras are therefore somewhat arbitrary, and are only intended as approximate guides. Scholars of music history do not agree on the start and end dates, and in many cases disagree whether particular years should be chosen at all. The 20th century has exact dates, but is strictly a calendar based unit of time.
The Classical Period was an era of classical music between roughly 1750 and 1820. [1]The classical period falls between the Baroque and Romantic periods. [2] Classical music has a lighter, clearer texture than Baroque music but a more varying use of musical form, which is, in simpler terms, the rhythm and organization of any given piece of music.
Glosa – Type of sacred music composition in 16th century Spain that used a variation construction. [4] Intermedio – Theatrical performance with music performed between the acts of a play to celebrate special occasions in Italian courts. Lauda – Devotional song popular in the medieval Italian church.
Though the term "classical music" includes all Western art music from the medieval era to the early 2010s, the Classical era was the period of Western art music from the 1750s to the early 1820s [75] —the era of Wolfgang Amadeus Mozart, Joseph Haydn, and Ludwig van Beethoven.
العربية; Azərbaycanca; বাংলা; Башҡортса; Беларуская; Беларуская (тарашкевіца) Bosanski; Deutsch; Esperanto
In European art music, the common practice period was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.