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The oud (Arabic: عود, romanized: ʿūd, pronounced; [1] [2] [3]) is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
The cümbüş is shaped like an American banjo, with a spun-aluminum resonator bowl and skin soundboard. Although originally configured as an oud, the instrument has been converted to other instruments by attaching a different set of neck and strings. [2] The standard cümbüş is fretless, but guitar, mandolin and ukulele versions have fretboards.
Drawing of Qanun player in 1859, Jerusalem Traditional flute player from Iraqi folk troupe Mizwad, a type of bagpipes played mostly in Tunisia and Libya Mizmar ini Display the Riqq is one of the instruments used only in the Egyptian and Arabic music, and in most of its varieties Sagat in Khan El-Khalili, Cairo
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
Unlike much western music, Arabic music includes quarter tones halfway between notes, often through the use of stringed instruments (like the oud) or the human voice. Further distinguishing characteristics of Middle Eastern and North African music include very complex rhythmic structures, generally tense vocal tone, and a monophonic texture.
Persian musical instruments or Iranian musical instruments can be broadly classified into three categories: classical, Western and folk. Most of Persian musical instruments spread in the former Persian Empires states all over the Middle East, Caucasus, Central Asia and through adaptation, relations, and trade, in Europe and far regions of Asia.
The music in Iraq began to take a more Western tone during the 1960s and 1970s, notably by Ilham Madfai, with his Western guitar stylings with traditional Iraqi music which made him a popular performer in his native country and throughout the Middle East. [29] [30]
Rebab (Arabic: ربابة, rabāba, variously spelled rebap, rubob, rebeb, rababa, rabeba, robab, rubab, rebob, etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Middle East, Central Asia, Southeast Asia, and parts of Europe. [1]